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BAE G10 500-Series Graphic EQ
BAE G10 500-Series Graphic EQ


 
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PRICE: $825.00


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BAE G10 500-Series Graphic EQ

A 500 series equalizer from BAE, the masters of recreating vintage sound with modern features and components.

The BAE G10 500-Series 10-Band Equalizer features a Balanced Input and Output and Hi/Low-Pass Filters, making it the Ultimate Hands-On Sound Shaping Tool for Tracking, Mixing, or Mastering.

The G10 combines a punchy, transformer-based signal path with the versatile 10-band graphic EQ configuration and a 2520 style op-amp — making it ideal for tweaking drum or guitar sounds, or even processing an entire mix.

With 10 carefully selected bands offering up to 12 dB of boost or cut on tap, the G10 offers a level of tone sculpting that can help any audio sit perfectly in the mix. The easy-to-use slider-based interface helps users intuitively visualize the EQ curves they are applying. Switchable high-pass and low-pass filters, tuned at 80 Hz and 12 kHz respectively, help make the G10 a truly complete sound shaping solution.

The BAE Audio G10 implements a classic op-amp like those used in well-loved ‘70s American mixing boards. Unlike some other 10-band equalizers presently on the market, the G10 is fully transformer balanced on the input and output, and features a CineMag transformer, to give any audio passing through a unique tonal character.


BAE G10 500-Series Graphic EQ features:

  • CineMag transformer balanced in/out
  • Hand-built in the USA using top quality components throughout
  • +/- 12dB Boost/Cut @ 31Hz, 63Hz,125Hz, 250Hz, 500Hz, 1KHz, 2KHz, 4KHz, 8KHz, 16KHz
  • Individually Selectable LPF @ 12KHz, and HPF @ 80Hz (approx. 6 and 10 dB per octave, respectively)
  • EQ In/Out Select Switch (bypasses EQ and Filters)
  • Fully enclosed ventilated steel enclosure

Don’t forget to check out RSPE’s Rack Revolution, a virtual 500-series rack builder that lets you custom-configure the perfect 500-series lunchbox for your studio, DAW, or mobile recording rig. RSPE carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.


Who’s Using BAE:

"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre's, EQ's, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark's (Loughman) new ownership in the company. I forecast excellent things to come. — Ross Hogarth, Grammy-winning producer-engineer

"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I've ever heard." — Steven Slate Drums

“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre's with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)

“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — Jane Wiedlin, The Go-Go's

“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – Bootsy Collins

“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we've had blind fold audio "shoot out" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — Andy Kravitz, drummer, producer, engineer

Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)

About BAE (British Audio Engineering)

Answering to a higher authority (maintaining the legacy of Mr. Rupert Neve), BAE puts nothing but the very best and their very best into every unit they built. Under the guidance of president/CEO Mark Loughman and Neve guru, Avedis Kifedjian, BAE uses the only highest quality components from the original suppliers, such as Carnhill (formerly St. Ives) and Jensen. All BAE products use discrete electronics and are completely hand-built and wired point-to point (no circuit boards). For more information about BAE, check out RSPE’s Designer’s Perspective feature and get a first-hand look at the inner workings of BAE.


Add clean vintage sound and versatility of a 10-band Graphic EQ to your 500 Series rack with the BAE G10. Check out RSPE’s Rack Revolution custom 500-series module builder and get started now, or call or chat with an RSPE representative today.


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