BAE 1066DL Mic Pre / EQ 500 Series Module

A no-compromise, 500-series version of BAE’s 1066D Mic Pre/EQ

The BAE 1066DL takes all the features and sound of the classic 1066 and puts it in a compact 500 series module. The 1066DL features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ for a whole new sonic palette. These added frequencies on the 1066 are especially well suited to guitar applications because of its unique midrange.

The 1066DL is completely hand-wired in the US using Carnhill (St. Ives) transformers and has the same mic-line pre-amp as the 1073, with the exception that the 1066DL adds a few different frequencies to your pallet.

This unit is popular among guitarists for having a unique mid-range. The original 1066 only had a 10k shelving but this unit offers additional frequencies: 10k Hz,12k Hz,16k Hz, 20k Hz and 24k Hz.

BAE 1066DL 500 Series Module features:

• High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz.
• Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz &220Hz.
• Mid Range: +/-16dB peaking with switchable selectable centre frequencies of 700Hz, 1.2kHz, 2.4kHz, 3kHz, 7kHz
• High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz.
• EQ Button: Switches the equaliser on or off

Who’s Using BAE:

"BAE has been an integral part of my record making for many, many years now. I have owned the mic pre's, EQ's, and racks for years. The dedication to costumer service is something one can count on. With the advent of the Avedis 1122 OpAmp, the classic 2520 opamp was brought forward into the future. Mark has also made a point at looking back at certain designs and his attention to detail shows in the new products that he is working on. I am very happy to announce and toast Mark's (Loughman) new ownership in the company. I forecast excellent things to come. — Ross Hogarth, Grammy-winning producer-engineer

"During the recording of many of the Steven Slate Drums sessions, we used lots of BAE mic pres and equalizers. They made it easy to get some of the best drum sounds I've ever heard." — Steven Slate Drums

“What all 312a users say about clarity and punch is absolutely true. They are very versatile pre amps and aside from the obvious with guitars, drums, and vocals, I really enjoy using these pre's with bass and synth sequences.” Ilan Rubin (NIN, Paramore, Lostprophets)

“I love my BAE mic pre-amp. It makes my tracks sound lovelier!” — Jane Wiedlin, The Go-Go's

“I was just screwing around with my BAE 1084 when it hit me, wonder what my Space Bass would sound like in this. I plugged it in and the sound was so pure and natural I thought I was on stage in the ‘Mothership.’ This thing sings with tone, punch, and straight-up good, solid sound that will stand out in a mix with loud drums and guitars.” – Bootsy Collins

“Two thumbs way up! In my opinion, the BAE 1073 and 1084 modules sound every bit as good as the original Neve modules I have used my whole career (we've had blind fold audio "shoot out" tests in my vintage Neve room and there is absolutely no difference). Nothing comes as close to my original Neve EQ/mic preamps as BAE products. And in my opinion, BAE products surpass all the competition in build quality; from the point-to-point wiring, to the audio traces on their cards, original St Ives (Carnhill) transformers, nickel plating, impeccable craftsmanship, and wow! —no old dirty switches and pots. (Did I mention they plugged right in to my vintage Neve 8014 frame from 1970 flawlessly!) Plus, Mark and the staff over at BAE are totally professional and a pleasure to deal with.” — Andy Kravitz, drummer, producer, engineer

Discography: (Imogen Heap, Billy Joel, The Rolling Stones, Simon Townshend, Robbie Krieger, Urge Overkill, Lizzy Grant, The Cheeters, Cypress Hill, James Taylor, Los Lobos, Soloman Burke, Joan Osborne, Taj Mahal, Mark Broussard, Norwood Fisher, Shawn Colvin, Hundred Year Flood, and Sting)